摘要
從文體學的角度分析李志常述《長春真人西遊記》的書寫策略,發現李志常將丘處機的西行之旅寫成了應詔之旅、弘道之旅和越界之旅,完美地呈現了一代高道的精神風貌和歷史貢獻,其目的是確立全真教的宗教典範,拓展全真教的發展空間。據此,我們也可以發現,宗教遊記與一般士庶所寫之遊記,其文體功能和書寫策略有著重要區别。清理這些特性,有助於加深我們對宗教文學文本的理解,有助於我們認清宗教文學的本質。
By analyzing the writing strategy of Li Zhichang's Chang Chun Zhenren Xiyouji(長春真人西遊記,Travels to the West of Qiu Chang Chun the Realized Man)from a stylistic angle,it is clear that the adventure of Qiu was depicted as a heroic journey to respond to the summons from Genghis Khan,a journey to promote the teaching of Quanzhen Taoism,and a journey to step across.While perfectly presenting the character and spirituality of this Quanzhen master,as well as the historical contributions of this travel,the purpose of this travelogue was to establish a paragon and broaden the possibilities for the development and promotion of Quanzhen Taoism.Accordingly,this analysis sheds light on the difference between religious travelogues and common travelogues written by laypeople in terms of their stylistic functions and writingstrategies.Clarifying these characteristics will help improve our understanding of religious literature and recognize the nature of this genre.
出处
《全真道研究》
2024年第1期1-25,225,共26页
Studies of Quanzhen Taoism
关键词
丘處機
長春真人西遊記
文體學
書寫策略
宗教典範
Qiu Chuji
Chang Chun Zhenren Xiyouji(長春真人西遊記,Travels to the West of Qiu Chang Chun the Realized Man)
Stylistics
Writing Pattern
Religious Paragon
