摘要
作为“倚声填词之祖”的《花间集》 ,无疑对后世词创作与词学造成了深远的影响 ,它奠定了词“以艳丽为本色”的性质 ,以佳人美貌及男女艳情为主要叙写对象 ,以是否能合乐 (尤其是女乐 )而歌判断词体性之正变 ,甚至《花间集》中美女与艳情的描叙也开启了后世词学为尊词体而勉力攀附香草美人之《风》、《骚》之旨。换言之 ,《花间集》奠定了宋词的女性化特质 ,使得以后近千载的词创作几乎没有完全脱离过言“闺情”的“本色”
As the 'ancestor' of literary Ci's creation, 'Hua Jian Ji' influenced Ci's creation and theories of its successors, and it established Ci's 'colorful nature': Ci mainly describes women's beautiful appearance and heterosexual love. Moreover, Ci's essential character was based on Ci's correspondent music (especially the music presented by women). In other words,'Hua Jian Ji' established Ci's feminine characters, and ever since the creation of Ci was never separated from its main subject: heterosexual love and feminine senses' description.
出处
《吉首大学学报（社会科学版）》
2002年第3期50-54,共5页
Journal of Jishou University(Social Sciences)
