摘要
《花间集》是我国第一部文人词集,体现着编选者的审美评价标准,欧阳炯为其所作的叙则从理论上给予了认同和张扬。因此,欧阳炯的叙不仅是中国最早的词论专文,而且他所阐述的词学审美标准,也就成为中国最早的词学批评标准。《花间集叙》所张扬的词为艳科的理论,是在六朝以来诗人们对“情”的特殊理解的影响下,对晚唐以来诗歌审美倾向和词体创作实践的总结。同时,欧阳炯对词的侧艳品格的确定,还与他对词和音乐之密切关系的深刻认识有关。
Huafian Anthology is the first anthology of ancient scholars. It embodies the editor＇s standards of aesthetic evaluation. The prelude of it written by Ouyang Jiong gave consent to it and developed a lot on it. So, the prelude of Ouyang Jiong is not only the first monograph on Chinese Ci, his standards of aesthetic evaluation is also the earliest standards of Ci critique in China. The Prelude of Huajian Anthology is the conclusion of the tendency of poetic aesthetics and the practice of Ci pattern in the late Tang Dynasty, and embodies the characteristics of romantic poems, which is under the influence of people＇s special understanding of ＂love＂ from the previous six dynasties. At the same time, Ouyang Jiong＇s tendency on romantic style is relative to his viewpoint on the close relation between Ci and music.
出处
《安阳工学院学报》
2006年第3期95-97,共3页
Journal of Anyang Institute of Technology
关键词
欧阳炯
《花间集叙》
词学
审美标准
Ouyang Jiong
subject in china＇s Ci
aesthetic evaluation
