摘要
《花间集》体现了对中国古代正统文学审美情趣的悖离和叛逆。正统的诗文审美情趣主要来自两方面 :儒家的现实情志和释道的超然理趣。而从《花间集》的爱情表现、《花间集叙》的词学观和后人的词学批评来看 ,《花间集》集中表现爱情相思正是对正统文学审美情趣的叛逆。
This paper argues that Hua Jian Ji reflects a deviation from orthodox aesthetic appeal of Chinese classical literature. The orthodox appeal of Chinese classical literature was influenced by two theories:emphasis on realistic aspirations in Confucianism and concentration on detached rational interests in Taoism and Buddhism. The deviation of the collection from orthodox aesthetic appeal can be revealed from its epitomization of beauty and love. This point can be argued in the following three aspects:its emotional tendency,the independent views of Ci contained in its preface,the comments of latter theorists as well. And the end of the paper points out that the deviation of Hua Jian Ji has a shade of tenderness.
出处
《苏州大学学报（哲学社会科学版）》
2002年第1期68-72,95,共6页
Journal of Soochow University(Philosophy & Social Science Edition)
