摘要
《蛟龙行动》是林超贤导演“行动”系列的最新篇章。影片以核潜艇题材与“近未来”军事设想拓宽了中国新主流军事电影的题材和类型边界。以崇高美学呈现震撼的巨物奇观,塑造了“去神性化”的集体英雄形象,彰显出人道主义关怀与大国担当。然而,尽管影片在工业化制作上达到高标准,但其叙事节奏的失衡以及技术奇观主导的叙事策略削弱了深海空间的戏剧张力,导致未能有效吸引观众,最终市场表现未达预期。这一市场落差不仅折射出新主流电影在商业化与艺术表达之间的困境,同时也凸显了军事电影类型化语法在平衡视觉奇观、技术美学与价值传递方面所面临的挑战。
Operation Leviathan is the latest chapter in director Dante Lam’s“Action”series.The film uses the theme of nuclear submarines and the“near future”military concept to broaden the subject matter and genre boundaries of China’s new mainstream military films.It presents shocking giant wonders with sublime aesthetics,creates a“de-deified”collective heroic image,and demonstrates humanitarian care and the responsibility of a major country.However,despite achieving high standards in industrial production,the imbalance in narrative pacing and the dominance of technical spectacles weakened the dramatic tension of the deep-sea setting,failing to engage the audience effectively.As a result,the film’s market performance did not meet expectations.This market discrepancy reflects the dilemma new mainstream films face in balancing commercialization and artistic expression,and it highlights the challenges military films face in balancing visual spectacle,technological aesthetics,and the transmission of values within genre conventions.
作者
周星
张一宁
ZHOU Xing;ZHANG Yining(School of Arts&Communication,Beijing Normal University,Beijing 100875,China)
出处
《中北大学学报(社会科学版)》
2026年第1期96-101,共6页
Journal of North University of China:Social Science Edition
基金
国家社会科学基金“十四五”规划2022年度教育学一般课题:国家文化安全观视域下中小学影视教育的模式创新与实践研究(BLA220236)
2021教育部哲学社会科学研究后期资助重大项目:建党百年中国共产党价值观与中国电影发展路径研究(21JHQ005)。
关键词
新主流电影
《蛟龙行动》
军事题材电影
new mainstream films
Operation Leviathan
military-themed films
