摘要
面对动态变化与不断迭代的科技实践和审美实践,舞蹈艺术的创作机制与接受机制正发生转变。在这一转变的场景中,身体的多维度“在场”使得舞蹈艺术主体、对象发生“转向”,与此同时,舞蹈艺术的表达范式、叙事技巧中蕴含着舞蹈与科技融合的协同进化机制,呈现审美体系的“共生”机制。由此,文章基于新的身体观下拓展审视科技时代舞蹈审美的视阈,阐释其“身体-科技”的视觉修辞与审美逻辑,以及其以交互与共生为特征的审美体系的协同进化机制。
In the face of the dynamic and ever-evolving technological and aesthetic practices,the creative and receptive mechanisms of dance art are undergoing a transformation.Within this transformative scenario,the multi-dimensional"presence"of the body instigates a"shift"in the subject and object of dance art.Simultaneously,the expressive paradigms and narrative techniques of dance art embody a co-evolutionary mechanism resulting from the integration of dance and technology,thereby presenting a"symbiotic'mechanism within the aesthetic system.Consequently,this paper expands the scope of examining the aesthetics of dance in the technological era from the perspective of a new concept of the body.It elucidates the visual rhetoric and aesthetic logic of the"bodytechnology"relationship,as well as the co-evolutionary mechanism of the aesthetic system characterized by interaction and symbiosis.
作者
仝妍
张紫嫣
TONG Yan;ZHANG Zi-yan(South China Normal University,Guangzhou 510000;Minzu University of China,Beijing 100081,China)
出处
《北京舞蹈学院学报》
北大核心
2025年第5期10-16,共7页
Journal of Beijing Dance Academy
基金
国家社科基金艺术学重大项目“新时代舞蹈艺术与科技融合创新研究”(项目编号24ZD10)子课题“身体美学视域下科技与舞蹈艺术跨媒介审美机制研究”阶段性成果。
关键词
审美机制
身体美学
人工智能
科技
共生
aesthetic mechanism
body aesthetics
artificial intelligence
technology
symbiosis
