摘要
文学声景通过文本化的声学形态、言语符码及留白艺术的协同作用,在文本接受过程中触发通感效应与意象生成。这种特殊的美学建构突破了传统文论的阐释框架,使文学中的听觉要素转化为可感知的审美对象,进而重构读者对文本空间的多模态体验。聚焦余华小说中听觉书写与文化创伤的互文关系,揭示其通过“听觉诗学”建构的声景世界与其独特的创伤叙事机制,以及它自身如何创造出特定的音景世界。余华通过三种核心声景类型——暴力声景、身体声景、沉默声景,将文化创伤编码为可感知的听觉符号系统。这些声景不仅是叙事工具,更是社会文化对个体与集体施加暴力、塑造创伤记忆以及消解暴力的声学档案。
Literary soundscape triggers synesthetic effects and imagery generation mechanisms through the synergistic action of textual acoustic forms,linguistic codes,and the art of negative space during text reception.This unique aesthetic construction breaks through the interpretive framework of traditional literary theory,transforming auditory elements in literature into perceptible aesthetic objects,thereby reconstructing readers'multimodal experiences of textual space.Focusing on the intertextual relationship between auditory writing and cultural trauma in Yu Hua's novels,it reveals how his"auditory poetics"constructs a soundscape world and its unique mechanism of traumatic narrative,as well as how he creates a specific soundscape world.Yu Hua uses three core types of soundscapes——violent soundscape,bodily soundscape,and silent soundscape to encode cultural trauma into a perceptible auditory symbol system.These soundscapes not only serve as narrative tools but also function as acoustic archives of society and culture imposing violence on individuals and collectives,shaping traumatic memories,and deconstructing violence.
作者
宋笃志
SONG Duzhi(Institute of Literature,Qufu Normal University,Jining Shandong 273165)
出处
《牡丹江大学学报》
2025年第6期24-30,39,共8页
Journal of Mudanjiang University
关键词
听觉叙事
文化创伤
余华
文学声景
auditory narrative
cultural trauma
Yu Hua
literary soundscape
