摘要
朱光潜的《诗论》与桐城派的诗学思想之间具有密切的学理关系。桐城派对理学家的文道关系进行革新,提倡“以文论诗”,并把审美标准体系化,提出“雅洁”“创意造言”“去陈言”“阳刚阴柔相糅合”等具有独创性的诗学理论。朱光潜年少时学习桐城派多年,深受其诗学思想的影响,这种影响体现在他的学术论著中。作为中国第一部系统性的现代诗学理论著作,朱光潜的《诗论》借助西方理论来建构中国诗学,对诗的内容与形式、情趣与意象、情思与语言等重要概念之间的关系进行了辨析。《诗论》中的许多观念都是对桐城派诗学思想的批判性继承,主要体现在以“实质与形式”阐发“义法说”,以“诗的格律”继承“因声求气”,以“严肃和诙谐”转化“阳刚阴柔”,以“诗与非诗”补充“以文为诗”。
There is a close theoretical relationship between Zhu Guangqian’s Poetics and the poetic ideas of the Tongcheng School.The Tongcheng School reformed the relationship between literature and Taoism among Neo Confucian scholars,advocating for the use of literature to discuss poetry,and systematizing aesthetic standards.They proposed original poetic theories such as“elegance and purity”“creating innovative expressions”“getting rid of clichés”and“combining masculinity and femininity”.Zhu Guangqian studied the Tongcheng School for many years when he was young,and was deeply influenced by its poetic thoughts,which are reflected in his academic works.As the first systematic modern poetics theory work in China,Zhu Guangqian’s Poetics uses Western theories to construct Chinese poetics,and analyzes the relationships between important concepts such as content and form,taste and imagery,emotion and language in poetry.In fact,many of the concepts in Poetics are critical inheritances of the poetic thought of the Tongcheng School,mainly reflected in the exposition of the“the view of Yi-Fa”through“substance and form”,the inheritance of“the spirit based on sound”through“poetic rhythm”,the transformation of“masculine and feminine”through“seriousness and humor”,and the supplement of“using literature as poetry”through“poetry and non poetry”.
作者
房凯歌
李世涛
Fang Kaige;Li Shitao
出处
《中州学刊》
北大核心
2025年第5期162-168,共7页
Academic Journal of Zhongzhou
关键词
朱光潜
《诗论》
桐城派
Zhu Guangqian
Poetics
Tongcheng School
