摘要
简要梳理以《诗大序》为主对"比兴"问题的传统认知,从朱自清对"比兴"的理解即发端和譬喻着眼,通过对三篇《国风》诗作的分析,指出"兴"句在结构上处于发端的位置与其统领全篇的功能之密切关系,"兴"在诗作中具有开篇的结构意义。
This essay presents some historical understanding of the ＂Shi Da Xu＂ （＂Prolegomenon of Po-ems＇） in terms of ＂bi＂ （comparison） and ＂xing＂ （stir）. Specltxcally, in the 01scussxon ot Lnu Llqlng＂ s interpretation of the ＂bi＂ and ＂xing＂ as metaphorical initiations as well as textual analysis on the three poems from ＂Guo Feng＂ （＂The Collected Poems＂）, the author of this essay points out that the ＂xing- lines＂ are normally positioned at the beginning of a poem, and are structurally dominant for the whole work. As a very important literary device deeply rooted in the Chinese cultural tradition, the ＂xing＂ also serves as the basis of structural formation, emotional expression and thematic orientation in Chinese po- etic creation. Thus, the literary impact of the ＂xing＂ on the Chinese classical poetry is great and far- reaching.
出处
《佛山科学技术学院学报（社会科学版）》
2012年第6期84-87,96,共5页
Journal of Foshan University(Social Science Edition)
关键词
比兴
诗歌
结构
＂bi and xing＂ （comparison and stir）~ poetry~ structure
