摘要
苗族神话所构建的是一幅人与自然和谐共生的诗意图景,蕴含着"天人合一"的中国古典美学思想,表现了人与对象依生、共生、整生的审美境界。同时,这种和谐也体现在人精神的内在和谐上。本文试图以月神神话、巨石神话、枫木图腾神话、鸟图腾神话为例,用生态美学的视角对苗族神话作一次新的解读,以进一步发掘神话中的生态智慧。
The Miao myth constructs a poetic picture in which man lives harmoniously with nature. It implies the ancient Chinese aesthetic thought of ＂the unity of heaven and man＂ （celestial one） , and shows an aesthetic environment in which man relies on, co-exists and lives together with his object. Meanwhile, this harmony is al- so embodied internally with the spirit of man. This paper intends to take the myth about moon god, the giant stone, the Chinese sweet gum totem, and the bird totem as examples, to observe and study the Miao myth again from the angle of ecological aesthetics so as to unearth further the ecological wisdom embodied in the Miao myth.
出处
《贵州大学学报（社会科学版）》
2012年第1期35-39,共5页
Journal of Guizhou University(Social Sciences)
关键词
人与自然
亲密共在
苗族神话
生态美学
意蕴
man and nature
close coexistence
Miao myth
ecological aesthetics
implication
