摘要
竹内好的《鲁迅》是日本鲁迅研究界的奠基之作。他认为"启蒙者鲁迅"只是呈现在世人面前的从外部被解释的鲁迅,生成"启蒙者鲁迅"的是"文学者鲁迅"这个终极之场。竹内好追问"文学者鲁迅"形成的"回心时刻",认为鲁迅在写作《狂人日记》之前的十年沉默期间,有一个获得"文学自觉"的时刻,这以后鲁迅坚持了文学者的基本立场,以此去直面各种话语环境。竹内好《鲁迅》开创了一种鲁迅研究范式,即不是单单注重鲁迅的思想文化意义,而更注重鲁迅本人的生命体验如何在他的文学活动中如熔岩得以赋型的研究。这对过于强调鲁迅的思想文化价值而忽视鲁迅的文学体验的中国学界,具有重大的启示意义。
Zhu＇ nei Hao＇ s Lu Xun is the foundation of the research on Lu Xun in Japan. In this book, he believes that ＂the enlightener Lu Xun＂ is an image which is interpreted from the outside by some researchers. On the contrary, he asserts that ＂Enlightener Lu Xun＂ was ultimately generated by ＂litterateur Lu Xun＂. Traced back to the decisive moment that the ＂litterateur Lu Xun＂ formed, Zhu＇nei Hao found that Lu Xun had obtained the ＂literary consciousness＂ in a long silence before the writing of Diary of a Madman. Since then, he adhered to the basic position of literature in order to face all kinds of discourse environment. Zhu＇nei Hao＇s Lu Xun has created a paradigm of Lu Xun studies, different from other researchers＇ emphasis on ideological and cultural significance, He focuses on how Lu Xun＇s own life experiences molded in his literary activities. In conclusion, Zhu＇nei Hao＇s studies put more attention on the studies of ＂the litterateur Lu Xun＂ rather than ＂the enlightener Lu Xun＂. This could be used as a reference for China＇s researchers.
出处
《学术月刊》
CSSCI
北大核心
2011年第3期106-114,共9页
Academic Monthly
关键词
竹内好
鲁迅
启蒙者
文学者
Zhu＇nei Hao, Lu Xun, enlightener, litterateur
