摘要
《野草》形而上地展示了鲁迅的灵魂,以其词语的悖反、母题的悖论等显示出悖论式的思想。它增加了鲁迅散文诗的艺术张力,使散文诗《野草》成为中国现代散文最具内涵的艺术精品。作为个体独特生命情境与民族特定历史进程相伴而生的艺术结晶,《野草》将鲁迅在"五四"时期苦闷激荡的心理真实,含蓄而形象地化为外在表现形式,在悖论、反讽中,作品形成纠缠冲突而非整合、流动不居而非静态的文学张力空间。正是在这个空间中,鲁迅富有独创性地通过"悖反"营造出一种新的时代美感,它超乎日常语言的"陌生化"而生成,让读者在真切的阅读体验中获得灵魂的淬炼与美的享受。
Lu Xun＇s Wild Weeds metaphysically exhibits his soul. His word paradox and motif paradox expresses his paradoxical mind, and in turn to enhance the artistic tension in his prose poems to make his Wild Weeds the best art with connotation in modern Chinese prose. Wild Weeds, as an artistic crystal of an individual and unique life situation combined with a nation ＇s unique historical process, turns Lu Xun＇s psychological reality into an outer form of expression, resulting in a construction of literary space of tension by a series of contradicted and floating paradoxes.
出处
《学术月刊》
CSSCI
北大核心
2010年第4期109-117,共9页
Academic Monthly
关键词
创作心理
词语悖反
母题悖论
艺术张力
psychology of literary creation, word paradox, motif paradox, artistic tension
