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2Roetz, Confucian Ethics of the Axial Age, pp. 273 - 274.
3To Become a God: Cosmology, Sacrifice,and Self-Divinization in Early China, Cambridge, MA: Harvard University Asia Center, 2002, pp. 1 -29.
4Haun Saussy, The Problem of A Chinese Aesthetic,Stanford: Stanford University Press, 1993, pp. 13 -73.
5Longxi Zhang, Mighty Opposite: From Dichotomies to Differences in the Comparative Study of China, Stanford: Stanford University Press, 1998, pp. 117- 150.
6Ren Yong, "Cosmogony, Fictionality, Poetic' Creativity : Western and Traditional Chinese Cultural Perspectives ," Comparative Literature, 50 ( 2 ), 1998, pp. 98 - 119.
7Jonathan Chaves, "Forum : From the 1990 A AS Roundtable , " Chinese Literature: Essays, Articles, Reviews, 13,1991, pp. 77 - 82.
8Ekstom, "Illusion, Lie, and Metaphor: The Paradox of Divergence in Early Chinese Poetics ," Poetics Today, 23 ( 2 ),2002,pp. 251 - 285.
9The Ambivalence of Creation: Debates Concerning Innovation and Artifice in Early China, Stanford: Stanford University Press, 2001.
10To Become a God: Cosmology, Sacrifice, and Self-Dvinization in Early China, Cambridge, MA: Harvard University Asia Center, 2002.
