摘要
作者、文本和读者之间的相互关系构成了西方诠释学的主题。其发展分为三个阶段:"作者中心论"诠释学、"读者中心论"诠释学和"文本中心论"诠释学。《锦瑟》是唐朝诗人李商隐的代表作,为历代爱诗者所珍爱,因其丰富的想象和频繁的用典构成了各种朦胧的意境,含不尽之意于言外,同时也给译者留下了极大的创造空间。《锦瑟》一诗的多种诠释和英译论证了诠释学三大重心走向对古诗英译的借鉴意义,诠释多元是产生不同译本的必然因素。
The relationship among the writer, the text, and the reader is the main topic in the Western Hermeneutics, which can be divided into three stages： writercentered theory, reader-centered theory and text-centered theory. The Sad Zither, the masterpiece of Li Shangyin, has been read and loved by poem fans for its elusory images and frequent use of the quotations, in which the translators can exert their creativity. Making a detailed analysis on the Western Hermeneutics and the pluralities in interpreting the Sad Zither can demonstrate the theoretical significance of Hermeneutics in translation of Chinese poems because it is the plurality of interpretation that results in different translation versions.
出处
《河南理工大学学报（社会科学版）》
2009年第2期288-293,共6页
Journal of Henan Polytechnic University:Social Sciences
基金
江苏科技大学人文社科基金项目
编号:2007WY103J
关键词
锦瑟
诠释
意象
多元
The Sad Zither
hermeneutics
images
plurality
