摘要
明弘治、正德年间,前七子以复古论主盟文坛,蔚然成风,杨慎却提出异议、独树一帜。今人多认为杨慎在复古大潮中未能免俗,只是在一些具体的文学主张上与七子不大相同[1](P291),实际上《升庵诗话》已经对当时的文学复古思潮有所修正,在诗歌审美论、创作论、师承方法等问题上都一反流俗,成一家之言,并对后世产生了不可忽视的影响。
During the Hongzhi and Zhengde period of Ming Dynasty, the Former Seven Writers＇ Revivalism was the most popular, leading theory in literature field. However, Yang Shen questioned it, and set up his own poem theory. Nowadays most scholars think that Yang Shen is not tradition-proof,and his theory is just a little different from the Former Seven Writers in some specific literature views. In fact, to a great extent, Yang Shen has revised the revivalism in literature in his poem theory. The Poem Theory of Yang Shen reflects Yang Shen＇s own thoughts on poem theory, which are quite different from traditional poem theory in poetry Aesthetics, poem writing theory and poem teaching methods, and have had non-negligible impact on the following poem theory.
出处
《皖西学院学报》
2009年第1期101-105,共5页
Journal of West Anhui University
关键词
杨慎
《升庵诗话》
复古
Yang Shen
the roem theory of yang shen
revivalism
