摘要
明代前后七子执盟诗坛,倡扬"文必秦汉、诗必盛唐",盛唐诗作为学诗的不二法门被推到了独尊的地位,宋诗则落入被斥逐的恶诗行列。而身处西南边隅,博学多识的杨慎则能在"人人有诗、代代有诗"观念的统摄下,更为冷静具体地关照宋诗的价值及其在中国诗歌发展史上的地位,从而形成其独特的宋诗观。所论虽然时有偏颇,却显示了突破陈规的勇气和高格独标的卓识,这在当时是非常可贵的。
There were seven great poets in succession dominating the poetic circles in the Ming Dynasty, advocating that articles must follow the styles of Qin and Han Dynasties and poems must follow the style of Tang. Therefore, Tang poems became a monopoly way for poetry study,while Song poems fell into the ranks of bad poetry. In this context, YANG Shen, a knowledgeable scholar living in the southwest of China, keeping in mind the idea that everyone from generation to generation could learn and write poems, had given great value to Song poems and its status in the history of Chinese poetry in a calmer and more specific way. Although his idea is not perfect in a sense there is courage of breaking through and insight,which is of great value at that time.
出处
《哈尔滨学院学报》
2013年第4期57-61,共5页
Journal of Harbin University
关键词
杨慎
《升庵诗话》
宋诗观
YANG Shen
＂Sheng＇ an poetry＂
views on Song poems
