摘要
在初唐前期诗坛,传统儒家"雅"、"颂"的诗歌观念的复归并没有影响到当时诗人在诗歌艺术领域里的探求,"丽藻穷雕饰"成为诗人们的共同创作观念和努力目标;与此同时,"清辞巧制"也为诗人普遍接受。这使得在艺术风貌上,此一时期的诗歌表现出追求辞藻的雕琢、体制的精巧和诗风的清雅等鲜明特征。
On the Parnassus of Early Tang, although the traditional Confucianism Parnassian conceptions of Elegance and Ode are gradually accepted, the poets are still pursuing the art of poems. In this period, the art of poem unfolds three features: clarity and elegance in style, refinement in system and embellishment in writing.
出处
《南京师大学报（社会科学版）》
CSSCI
北大核心
2004年第3期130-134,共5页
Journal of Nanjing Normal University(Social Science Edition)
关键词
初唐前期
诗歌艺术
藻饰
清
巧
early Tang
art of poem
embellishment
clarity
refinement
