摘要
正是鲁迅的选择 ,使得古老的中华民族的人生之足第一次被安放在可靠的心灵大地上。不过 ,这心灵大地不是心灵的光明 ,而是心灵的黑暗。他把一种中国历史上从未有过的荒谬的审美体验 ,破天荒地带给了中国有史以来生存其中而且非常熟悉的美学世界。心灵黑暗的在场者 ,成为新世纪美学的象征。而鲁迅的来自铁屋子的声音 ,也是中国有史以来的第一个在场者的声音。
It is Lu Hsun's choice that places the life of Chinese on the reliable land of heart for the first time. However,the land of heart does not mean the brightness of heart but the darkness of heart. He brings an unprecedented absurd aesthetic experience into the aesthetic world that the Chinese have been living in and are familiar about. The dark-hearted people present have become a symbol of aesthetics in the new century and Lu Hsun's voice from the iron house is that of the first one present in Chinese history.
出处
《江苏行政学院学报》
2004年第3期18-22,共5页
The Journal of Jiangsu Administration Institute
关键词
绝望
黑暗
在场者
Despair
Darkness
People Present
