摘要
本文从礼学角度论证了春秋时期政治舞台上普遍应用的赋诗言志现象的渊源及形成的机制原理,认为赋诗言志是对燕享礼仪中固有乐歌形式的模仿和意义的替换。即《诗经》中诗在燕享之礼中本是固定的,程式化的,其发挥作用的原理是被“礼”化了的诗的乐章之义。春秋时期礼崩乐坏,礼仪多被僭越,乐章之义失落了,于是燕享礼仪中诗经历了一个从取乐章之义到取词章之义又到“点歌”即赋诗言志、断章取义的演变。就思维方式看,《诗》的乐章之义和词章之义,都是以一种象征即比兴式思维对《诗》进行的再诠释。
The text here expounds from the angle of ritual scholarship the phenomena of widespread application of poems for proclaiming one's ideas on occasion of formal talks and diplomatic discourses of the Spring and Autumn Periods. It delves into their origin and formative mechanism as well, and regards this custom was a mimicry of singing form and a substitution of its meanings in feasting rites.
出处
《文学遗产》
CSSCI
北大核心
2004年第1期33-43,共11页
关键词
春秋时期
礼学
诗歌
比兴思维
礼仪程序
乐歌形式
the application of poems for proclaiming one s ideas, feasting rites, meanings of singing form, meanings of written poems, imaginary thinking
