摘要
民族民间美术进入高等艺术教育体系的重要理论意义,就是要站在更高的层面和更宽广的视野去透视整体的文化传统,在原有的中国艺术传统和西方艺术传统两大谱系中,加进民族民间文化系统,使整个美术教育体系的文化根基和内涵更为全面、坚实和宽广。
The great theoretical significance for ethnic and folk fine arts to enter the higher education system is a broader perspective of the whole cultural tradition. The supplement of ethnic and folk culture to the existing traditional Chinese art and traditional Western art will provide a more solid and broader cultural foundation for the whole education system of the fine arts.
出处
《云南民族大学学报（哲学社会科学版）》
CSSCI
2003年第5期108-110,共3页
Journal of Yunnan Minzu University(Philosophy and Social Sciences Edition)
