摘要
任何一个生活在现实中的人都是历史的守护者、传承者,又是历史地批判者。任何美学都是时代的美学,任何时代的美学都有客观性和历史性。随着社会生活和艺术实践的变革,原有的美学便会失去昔日的光芒而变得黯然无华,一种新的美学会应运而生,取代旧的美学视界。本文概要地阐述新时期美学现代转型的历史淡化过程。
Everyone, living in reality, is a guardian and transmitter of history as well as a critic , who also can reflect on history. Then aesthetics .which can represent the Characteristics of the age, has its own objectivty and historic Signiricance. As the revolutionary changes take place in the field of Social life and artictic practice, aesthetics in previous times has lost its own glamour and seems to be pale. Then a new kind of aesthetics emerges as the times regire ,which can Substitute for the field of vision of the previous .The paper is to explain the historic evoluti-ion process of the modem transformation.
出处
《绥化师专学报》
2003年第2期47-50,共4页
Journal of Suihua Teachers College
