摘要
什克洛夫斯基和布莱希特分别从不同的角度提出了“陌生化”概念。前者将诗语的“陌生化”上升到文学本体论的高度 ,视“陌生化”为一纯粹的美学、文学范畴 ,是文学作品的生命之所在 ;后者则把“陌生化”作为一个认识论范畴 ,认为“陌生化”不是目的 ,而是消除陌生 ,达到对事物更深刻熟悉的一种手段。
Shklovsky and Brecht posed the conception of 'Defamiliarization' from different angle separately. The former elevated the 'Defamiliarization'of poetrylanguage to the literaryontology status. they take it as a pure aestheticliterary category. It is the 'Defamiliarization'that make the literary work attained vital force. The latter take 'Defamiliarization'as a epistemology category. They consider that the 'Defamiliarization'is not the aim, but a measure, which eliminate the unfamiliarity and come at much more familiarity to things poignantly.
出处
《钦州师范高等专科学校学报》
2003年第1期25-29,34,共6页
Journal of Qinzhou Teachers College
