摘要
文学理论批评文体是文学理论批评形式特征的总和。中国古代文论文体有其鲜明的特色 ,但也有明显的局限性。至近代 ,尤其是五四新文学运动前二十年 ,文学理论批评文体发生了巨大的变化。其变革的方向 ,总的来说是向现代文学理论批评文体演进。具体来看 ,体式向多样化、大容量发展 ;篇章结构趋向完整精致 ;语言文字趋向通俗浅显 ;对西方文体从模仿趋向融会贯通 ;
The style of literary theory and criticism is the sum total of the characteristics of literary theory and criticism. The style of ancient Chinese literary theory has its distinct features as well as obvious limitations. In the modern age, especially during the 20 years before the May 4 th New Culture Movement, the style of literary theory and criticism saw great changes and gradual progress toward modern literary theory and criticism. Specifically, the style showed development in a multiple way and in great quantity. The textual structure witnessed a tendency towards multiplicity and huge volume. The language became popular and easily understandable. The borrowing of western literary style turned from mere imitation to skillful mastery. The external forms of style developed towards standardization.
出处
《复旦学报（社会科学版）》
CSSCI
北大核心
2003年第2期29-39,共11页
Fudan Journal（Social Sciences）
关键词
文体
文学理论批评
五四新文学运动
literary style, literary theory and criticism, May 4 th New Culture Movement
