摘要
诞生于夏初、再现于楚辞的华夏《九歌》从汉代开始 ,一直被当作“沅湘巫音”解读 ,根源于其易学结构、巫术原理失传 ,更与对歌中诸神的误读有关。以易学原理、神话分析为基础 ,可以发现诸神与八卦的一一对应 ,并对《九歌》结构意蕴与古代易图核心的统一获得认识。由此发现《九歌》的仪式秘密 ,即以巫术方式祈祷夏民的和谐、安宁、生生不息。而屈原以《国殇》作为楚辞《九歌》仪式高潮而非后人辑《楚辞》时窜入的可能如果成立 ,就是对其寓意的发挥延续 ,即祈祷楚国的和平安宁。诗人最后选择一个属于《九歌》的日子自沉 。
Cathayan Songs from Heaven (Nine Songs) was born in the early days of the Xia Dynasty,and reproduced in the late Warring States.Its mistaken that most people looked upon it as 'the sorcery music among the Yuan and Xiang Rivers' all the way from the Han Dynasty to the present age, because its principles of structure and sorcery have been lost, especially the gods of unknown identity. According to the researches for the occurrence of the mythic diagrams in The Book of Changes and the primitive state of Chinese mythology,we can find that theres an overall correspondence between the gods in the working and the Eight Trigrams symbols, and theres also an unity between the theme of the suite of poems and the kernel of the divinatory diagrams. So we understand the secret of rite about the suite of poems is that the ancient Chinese prayed for harmony,peace and eternity with a sorcery. If the possibility is tenable which Qu Yuan made The National Young Martyrs the climax of rite but for nobody took it into the suite of poems when Chu ci poetry were edited, the meaning of the suite of poems has already been developed and continued to pray peace and well for the Chu State.The poet chose a date whom belongs to Songs from Heaven to take his own life into the river at last,the creation for the working was completed by his own life.
出处
《昭通师范高等专科学校学报》
2003年第1期25-38,共14页
Journal of Zhaotong Teacher's College
关键词
华夏
《九歌》
楚辞
神
巫术
易学
Cathay
Songs from Heaven (Nine Songs)
structure
explain and study
