摘要
《沈居集咏》是清代中期著名宗室文人裕瑞被圈禁于盛京时所作诗集,其产生源于嘉庆朝天理教起义与清宗室的内部矛盾,以及裕瑞自身的恣意、率性言行。借助福柯“全景敞视主义”理论审视该诗集的空间书写,可见相互交织的三重维度,一是呈现日常生活空间,体现对皇权规训的无奈与屈从。二是书写心灵空间,体现对规训的内化调适。三是自主建构社交空间,体现对规训的精神超越。这一文学实践对促进清代辽沈地域文学、宗室文学发展具有重要价值。
The Shen ju Ji Yong is a poetry collection composed by Yu Rui who is a prominent members of the Qing dynasty royal clan and scholar.,who was placed under house arrest in Shengjing in the mid-Qing Dynasty.Its creation was triggered by the Tianli Sect Uprising uprising during the Emperor Jiaqing and the conflicts within the royal family,as well as Yu Rui’s own unrestrained and spontaneous conduct.By applying Foucault’s“panopticism”theory to examine the spatial depiction in this poetry collection,three interwoven dimensions can be observed.First,it presents the mundane daily life space,reflecting the helplessness and submission to the imperial power’s discipline.Second,it depicts the inner spiritual space,demonstrating the internalization and adaptation to the discipline.Third,it independently constructs a social space,embodying the spiritual transcendence over the discipline.This literary practice holds significant value in promoting the development of regional literature in the Liaoning-Shenyang area and royal clan literature of the Qing Dynasty.
出处
《赤峰学院学报(哲学社会科学版)》
2026年第1期98-104,共7页
Journal of Chifeng University:Philosophy and Social Science Edition
基金
2025年度辽宁省社会科学规划基金项目“中华民族共同体视域下的清代辽沈地域宗室文学研究”(L25BZW006)。
