摘要
《古诗十九首》中,空间的书写占据着不可替代的地位,成为其艺术特质得以彰显的重要策略。文章对《古诗十九首》中出现频率最高的三类空间——城市空间、家宅空间和路空间进行审美性解读,可以理解空间书写体现的敏锐的心理感受、浓厚的乡土之思和深沉的命运归依思索,从而发掘作品中具体可感的审美空间。探究《古诗十九首》以对比、位移、延伸为主的空间书写策略,既有助于理解其艺术特色与深刻内涵,也有助于把握汉末文人的生存境遇与精神状态、思维方式与审美心理,具有重要的认识价值。
In the Nineteen Old Poems,the representation of space holds an irreplaceable position,serving as a crucial strategy through which its artistic distinctiveness is manifested.An aesthetic interpretation of the three most frequently depicted types of space in the Nineteen Old Poems—urban space,domestic space,and journey space—enables readers to comprehend the acute psychological perceptions,profound nostalgia,and deep contemplations on destiny embodied in the representation of space,thereby uncovering the tangible and sensorial aesthetic dimensions within the works.Investigating the spatial representation strategies in the Nineteen Old Poems—primarily contrast,displacement,and extension—not only contributes to understanding their artistic features and profound implications,but also facilitates a grasp of the living circumstances,mental states,modes of thinking,and aesthetic psychology of literati in the late Eastern Han Dynasty,thereby holding significant cognitive value.
作者
黄蕾
HUANG Lei(School of Literature,Shaanxi Normal University,Xi′an Shaanxi 710119,China)
出处
《襄阳职业技术学院学报》
2026年第1期135-140,共6页
Journal of Xiangyang Polytechnic
关键词
《古诗十九首》
空间书写
古典诗歌
文学意义
Nineteen Old Poems
spatial representation
classical poetry
literary significance
