摘要
艺术领域中的挪用是指艺术创作者有意识地将先前就存在的素材或对象不进行或很少进行转换之后直接置于新的语境,应用于新的作品之中。目前针对艺术领域中的挪用探索多指向具体艺术作品的挪用策略,本真性作为理解艺术挪用的发生,内在意涵及其意义的关键性要素却未得到着力体现与深度阐述。因此,系统性盘点艺术领域中挪用源起的历史脉络,透视挪用与本真性二者之间的映射及联结,勾画挪用中本真性的特殊轨迹及其范畴的独特布景,对由艺术领域中挪用的本真性引导出的道德立场及文化交流问题给予合理性说明,有利于展现本真性在挪用论题的内容系统性和结构立体性中的能动作用。
Appropriation in the field of art refers to consciously placing pre-existing materials or objects directly into new contexts and applying them to new works with little or no transformation.Current explorations of appropriation in art predominantly focus on the strategies of appropriating specific artworks,while authenticity,a key element for understanding the occurrence,intrinsic implications,and significance of artistic appropriation,has not been sufficiently highlighted or deeply elaborated.Therefore,systematically reviewing the historical origins of appropriation in art,examining the mapping and connection between appropriation and authenticity,outlining the distinctive trajectory of authenticity within appropriation and its unique contextual scope,and providing a rational explanation for the moral stance and cultural exchange issues guided by authenticity in artistic appropriation are conducive to revealing the active role of authenticity in the thematic content and structural multidimensionality of appropriation discourse.
作者
果玉
曹成竹
GUO Yu;CAO Cheng-zhu(The Center for Literary Theory and Aesthetics of Shandong University,Shandong University,Jinan 250100,China)
出处
《广西师范大学学报(哲学社会科学版)》
2026年第1期205-212,共8页
Journal of Guangxi Normal University(Philosophy and Social Sciences Edition)
关键词
挪用
本真性
审美非正义
文化
appropriation
authenticity
aesthetic injustice
culture
