摘要
本文在二十世纪初国际共运的视野下分析李长之的鲁迅批评。李长之援引康德建构的“天才鲁迅”和“诗人鲁迅”,以“鲁迅”成就“特殊中国主体”,对抗殖民化所催生的、具有压迫性的普遍主义。李长之这一批评实践,恰与国际共运内部葛兰西基于对克罗齐的批判所提出的“消极革命”思想形成跨语境对话关系,始终参与和体现着“中国本位论”。
This paper analyzes Li Changzhi’s critique of Lu Xun within the context of the early twentieth-century International Communist Movement.By invoking Kantian concepts to construct the notions of“Lu Xun as a genius”and“Lu Xun as a poet,”Li Changzhi utilized the figure of“Lu Xun”to establish a“particular Chinese subjectivity,”thereby resisting the oppressive universalism engendered by colonization.This critical practice of Li Changzhi establishes a cross-contextual dia⁃logue with Antonio Gramsci’s concept of“passive revolution,”which was developed within the Inter⁃national Communist Movement through his critique of Benedetto Croce.Throughout this process,Li’s critique consistently participates in and embodies the“China-centric discourse.”
出处
《南京师范大学文学院学报》
2025年第3期108-118,共11页
Journal of School of Chinese Language and Culture Nanjing Normal University
基金
江苏省社科基金项目“国际共运与中国左翼文学研究”(编号:22ZWB008)
江苏省高校哲学社会科学研究重大项目“鲁迅的生命研究”(20235JZD090)。
关键词
国际共运
李长之
鲁迅
International Communist Movement
Li Changzhi
Lu Xun
