摘要
“中国古典舞舞台表现理论”是以中华优秀传统文化为根基,以演员表现为呈现载体,以舞台协同为支撑,以价值传导为目标的系统性理论框架。本文采用文献研究法与案例分析法,首次提出“中国古典舞舞台表现理论”,并从理论构成的内在逻辑出发,分别从文化根源层、演员表现层、舞台协同层、价值传导层四个维度,系统剖析各维度的核心内涵与实践路径,并论证四者间“根—核—境—值”的逻辑关系。研究认为:文化根源层奠定理论的精神内核和作品的审美取向,演员表现层构成理论的技术载体与舞台的叙事工具,舞台协同层提供理论的场域支撑与舞台的氛围营造,价值传导层实现理论的价值落地与舞台的审美呈现。
The"Stage Expression Theory of Chinese Classical Dance"is a systematic theoretical framework grounded in the fine elements of traditional Chinese culture,with performer expression as the presentation vehicle,stage coordination as the support,and value transmission as the goal.This paper employs literature research and case analysis methods to propose,for the first time,the"Stage Expression Theory of Chinese Classical Dance."Based on the internal logic of the theoretical composition,it systematically analyzes the core connotations and practical paths of four dimensions——the cultural root,the performer expression,the stage coordination,and the value transmission--and demonstrates the logical relationship among them as"root——vehicle——support——presentation."The study argues that the cultural root dimension establishes the spiritual core of the theory and the aesthetic orientation of the works;the performer expression dimension constitutes the technical vehicle of the theory and the narrative tool of the stage;the stage coordination dimension provides the contextual support of the theory and the atmosphere creation of the stage;and the value transmission dimension realizes the value implementation of the theory and the aesthetic presentation of the stage.
作者
杨笑荷
Yang Xiaohe(Beijing Dance Academy,Beijing 100081)
出处
《新疆艺术学院学报》
2025年第4期9-16,共8页
Journal of Xinjiang Arts University
基金
北京市社科基金青年学术带头人项目“中国古典舞舞台表现理论与实践研究”(项目编号:24DTR097)研究成果。
关键词
中国古典舞
舞台表现理论
构成体系
Chinese Classical Dance
Stage Expression Theory
Composition System
