摘要
白居易音乐美学思想的内在核心是儒家的礼乐观念,其产生的最为初始的目的也是为了推动儒学的中兴。随着白居易政治生涯的发展,其音乐美学思想不断拓展并完善,但不论如何拓展,其都没有摒弃对于儒家礼乐观念的坚持,也因此完全可以认为白居易的音乐美学思想称得上是对于儒家思想的继承与发展。从四个维度对白居易的音乐美学思想进行解读,并总结出能够为当代我国社会审美文化和音乐美学思想所借鉴的价值。
The inherent core of Bai Juyi’s musical aesthetic thoughts is the Confucian concept of rites and music,and its initial purpose is to promote the revival of Confucianism.As Bai Juyi’s political career progressed,his musical aesthetic thoughts continuously are constantly expanding and improving.However,he never abandons his adherence to the Confucian concept of rites and music.Therefore,it can be fully considered that Bai Juyi’s musical aesthetic thoughts can be regarded as the inheritance and development of Confucianism.This paper interprets Bai Juyi’s musical aesthetic thoughts from four dimensions and summarizes the values that can be drawn upon by contemporary Chinese social aesthetic culture and musical aesthetic thoughts.
作者
丁志刚
Ding Zhigang(School of Marxism,Anhui Police College,Hefei 230000,China)
出处
《黑河学院学报》
2025年第12期160-162,172,共4页
Journal of Heihe University
基金
2022年度安徽省高等学校质量工程项目“大学美育教学创新团队”(2022cxtd024)。
关键词
儒家思想
白居易美学思想
音乐美学
解读
confucianism
Bai Juyi’s musical aesthetic thoughts
music aesthetics
interpretation
