摘要
三星堆遗址出土较多散落绿松石嵌片及少量铜牌饰等嵌绿松石器物。本文通过对三星堆K5、K6、K7出土嵌片的观察与统计,梳理了嵌片技术特征,并进行跨区域比较,认为三星堆嵌片技术至少流行于二里头文化时期和晚商时期。三星堆铜牌饰的基本造物理念取自二里头文化,但嵌片技术、纹饰内容、艺术表现形式与之存在明显差异,是三星堆本土化的产物。晚商时期三星堆嵌片周边竖直,与商王朝周边斜面的嵌片属于不同的技术系统。三星堆绿松石嵌片体系始终保持突出的本土化特征。
A considerable number of scattered turquoise inlays and a small quantity of turquoise-inlaid artifacts,such as bronze plaques,have been unearthed at Sanxingdui.Based on the observation and statistical study of inlays from pits K5,K6,and K7,this paper outlines the technological traits of the inlaying technique and undertakes cross-regional comparisons.The findings suggest that turquoise inlaying was practiced from the Erlitou period through the late Shang period.While the conceptual model of Sanxingdui bronze plaques derives from Erlitou prototypes,their inlay techniques,decorative motifs,and artistic expression differ significantly,reflecting strong local adaptations.In the late Shang period,Sanxingdui inlays were vertically oriented,contrasting with the oblique inlays of the Shang dynasty,indicating separate technological systems.Throughout its development,the Sanxingdui turquoise inlay system retained distinct local characteristics.
出处
《中原文物》
北大核心
2025年第5期49-57,共9页
Cultural Relics of Central China
基金
国家社会科学基金重大项目“三星堆文化与中国文明研究”(项目编号:21&ZD224)的阶段性成果。
关键词
三星堆遗址
绿松石嵌片
镶嵌器物
技术与产地
Sanxingdui site
turquoise inlay
inlaid artifact
technology and provenance
