摘要
镶嵌绿松石铜牌饰作为二里头文化极具代表性的铜器遗存,其与广汉、哈密等地出土同类器物之间的文化关联,长期以来备受学界关注与探讨。本文以清人李光庭所编《吉金志存》著录的一件铜牌饰为切入点,对二里头文化铜牌饰进行类型划分与分期断代,并进一步探讨二里头、广汉、哈密三地出土铜牌饰间的内在联系。广汉地区铜牌饰是在吸收二里头文化Ae型与B型铜牌饰文化元素的基础上,融合当地自身文化特色逐步演变形成;而哈密地区铜牌饰与广汉地区铜牌饰的关系更为紧密,其形制与纹饰特征主要是受广汉地区影响而发展形成,这是夏商时期跨区域文化交流的具体体现。
As a highly representative bronze artifact of the Erlitou Culture,the cultural connections between turquoise-inlaid bronze plaque ornaments and similar artifacts unearthed in Guanghan,Hami,and other regions have long been a focus of academic attention and discussion.This paper takes a bronze plaque ornament recorded in Jijin Zhicun("Records of Auspicious Bronzes")compiled by Li Guangting,a scholar of the Qing Dynasty,as a starting point.Based on a brief introduction to the characteristics of this artifact,it classifies and dates the bronze plaque ornaments of the Erlitou Culture,and further explores the internal relationships among the plaque ornaments unearthed in Erlitou,Guanghan,and Hami.The study shows that the bronze plaque ornaments in the Guanghan region gradually evolved by absorbing the cultural elements of Type Ae and Type B plaque ornaments of the Erlitou Culture and integrating local cultural characteristics.The bronze plaque ornaments in the Hami region have a closer relationship with those in the Guanghan region,and their shapes and decorative features mainly developed under the influence of the Guanghan region,representing a concrete manifestation of cross-regional cultural exchanges during the Xia-Shangperiod.
出处
《四川文物》
北大核心
2025年第3期46-55,共10页
Sichuan Cultural Relics
关键词
《吉金志存》
铜牌饰
二里头文化
夏商时期
广汉
Jijin Zhicun
Bronze plaque ornaments
Erlitou Culture
Xia-Shang period
Guanghan city
