摘要
中国抗战题材影视作品中的美术设计从纪实风格向视觉象征演进,通过空间构图、色彩系统与物象符号强化战争叙事的情感张力与文化表达。在数字语境中,AI修复与虚拟制片技术拓展了美术呈现方式,短视频平台加速了视觉符号的再生产与传播转译。中国抗战题材影视美术作为集体记忆的视觉载体,强化了国家认同与民族情感,但也在算法推荐与代际差异中出现娱乐化倾向与符号泛化风险,亟须在历史真实、视觉感染与价值传达之间建立新的平衡机制。
The art design of Chinese films and TV works on the War of Resistance Against Japanese Aggression has evolved from a documentary style to visual symbolism,enhancing the emotional tension and cultural expression of the war narrative through spatial composition,color systems,and object symbols.In the digital context,AI restoration and virtual production technologies have expanded the ways of art presentation,and short video platforms have accelerated the reproduction and disseminative translation of visual symbols.As a visual carrier of collective memory,the art design of Chinese films and TV works on the War of Resistance Against Japanese Aggression strengthens national identity and national sentiment,but it also faces risks of entertainment tendencies and symbol generalization due to algorithmic recommendations and generational differences.There is an urgent need to establish a new balance mechanism among historical authenticity,visual impact,and value communication.
作者
王丹宁
Wang Danning(School of Drama,Film and Television,Sichuan University of Culture and Arts,Mianyang 621000)
出处
《西部学刊》
2025年第23期10-13,共4页
Journal of Western
关键词
抗战题材影视
美术设计
符号
文化认同
Chinese films and TV works on the War of Resistance Against Japanese Aggression
art design
symbols
cultural identity
