摘要
作为最常见的中世纪世界地图范式之一,气候带地图或称带状地图与古代晚期至中世纪人文主义传统关系密切。它们的叙事框架依赖书本知识胜过依赖实地测绘,制图思维基于宇宙论胜过基于地理现实,并因其与罗马作家马克罗比乌斯《〈西庇乌之梦〉评注》的渊源而得名“马克罗比乌斯地图”。本文分析一组有代表性的气候带地图的投影法、图像学、铭文和叙事特征,同时追溯其制图学逻辑背后一系列古典至中世纪时期的地理、哲学、文学文本,包括柏拉图、西塞罗、玛尼里乌斯、马克罗比乌斯、乔叟等人的作品,试图呈现其中蕴含的人文主义地图意识,并探索气候带地图与更典型的中世纪“世界之布”之间的关系。
As one of the most prevalent paradigms of medieval world maps,climatemaps,otherwise known as zonal maps,are deeply rooted in the humanistic traditionsfromlate antiquity tothe Middle Ages.Their narrative framework relies more on book knowledge than on field surveys,while their cartographic logic is grounded in cosmology rather than in geographical reality.These maps are also known as“Macrobian maps”due to their affinity to Commentary on the Dream of Scipioby Macrobius.This paper analyzes the projective,iconographic,inscriptional,and narrative features of a representative set of climate maps,while tracing a series of geographic,philosophical,and literary texts from the classical to the medieval periods that underpin their cartographic reasoning,including works by Plato,Cicero,Manilius,Macrobius and Chaucer.The study seeks to illuminate the humanistic cartographic consciousness embedded in these maps,and explore the relationship between climate maps and the more typical medieval mappaemundi.
作者
包慧怡
Bao Huiyi(University College Dublin;Department of Foreign Languages and Literature,Fudan University)
出处
《中世纪与文艺复兴研究》
2025年第2期141-156,共16页
Medieval and Renaissance Studies
