摘要
“云朵子”作为陕西皮影中特殊视觉符号,构建了民间匠师对神话故事的叙事框架,以云纹为底结合神祇神兽与宗教意象,是民间信仰与戏剧美学的结合。文章通过梳理其历史源流、造型原则及构成逻辑,探析其造型从抽象民间信仰转化为可视的艺术语言,以及在现代生活中的创新应用途径。
As a unique visual symbol in Shaanxi shadow puppetry,'Yun Duozi'establishes a narrative framework for folk artists to depict mythological stories.Combining deities,mythical beasts,and religious imagery with cloud patterns as its foundation,it represents a fusion of folk beliefs and theatrical aesthetics.This article examines its historical origins,design principles,and structural logic,analyzing how its form transforms abstract folk beliefs into visual artistic language and explores innovative pathways for its application in modern contexts.
作者
付可心
张静
FU Kexin;ZHANG Jing
出处
《丝网印刷》
2025年第21期91-93,共3页
Screen Printing
关键词
陕西皮影
云朵子
造型艺术
应用
Shaanxi shadow-puppetry
Yun Duozi
plastic arts
application
