摘要
邵艺辉执导的《好东西》作为近年来较为经典的女性题材影片,通过女性角色的塑造、女性关系的构建以及对传统性别观念的挑战,关注了女性的生活状态。影片通过女性话语的生成,扩展了女性电影的表达空间,又结合情动理论,展示了如何借助视觉与情感层面的策略描绘女性生活,推动观众与角色间的情绪共振;影片还从男性角色的塑造入手,在女性叙事视角下对男性形象进行重构,突破了“压迫者—拯救者”的二元设定,刻画出多元、复杂且不被神化的男性形象。《好东西》在性别叙事上展现出女性主体性的持续建构与文化表达路径的多元探索,体现了女性导演在当代语境中对性别关系、社会结构与自我意识的深度回应,具有显著的理论价值与现实意义。
The film Good Stuff directed by Shao Yihui has been widely discussed as a female themed film in recent years.By shaping female roles,constructing female relationships,and challenging traditional gender concepts,the film focuses on female lives.By fostering the creation of a distinct female discourse,it expands the expressive boundaries of female films.Good Stuff ingeniously engages with affect theory,demonstrating how it employs visual and emotional strategies to depict women’s lives,thereby fostering empathy between the audience and the characters.Furthermore,starting with its portrayal of male characters,the film reconstructs masculinity from a female narrative perspective.This approach breaks away from the simplistic“oppressor-savior”binary,resulting in multifaceted,complex,and de-deified portrayals of men.Through its gender narrative,Good Stuff reveals a continuous construction of female subjectivity and a pluralistic exploration of cultural expression.It reflects a female director’s profound response,within a contemporary context,to gender relations,social structures,and self-awareness,thereby possessing significant theoretical and practical value.
作者
李祎琪
张甲子
LI Yiqi;ZHANG Jiazi(Arts and Cultural Management,The University of Melbourne,Melbourne 3010,Australia;Faculty of Humanities,Shangqiu Normal University,Shangqiu 476000,China)
出处
《河南科技大学学报(社会科学版)》
2025年第6期46-51,共6页
Journal of Henan University of Science & Technology(Social science)
基金
河南省社会科学规划项目(2023GGJS134)。
关键词
《好东西》
社会认同
叙事结构
角色定位
视听语言
Good Stuff
female character films
narrative structure
role building
audio-visual language
