摘要
“他者”与“解构”作为解读女性主义电影的关键词,是受拉康精神分析学和德里达“解构”哲学的启发。前者为女性主义电影理论提供了参照视角,而后者则使其获得了方法论的启示,二者是解读女性主义电影的核心概念。同时,从“他者”到“解构”的过程,昭示出女性主义电影理论家在寻求女性自觉意识路途中的思考足迹,即从形象揭示到文化颠覆的过程。
“The Other” and “Deconstruction”, which are the two keywords of feminism movie theory , are cited from psychoanalytic criticism of Lacan and deconstructive criticism of Derria. The former gives an analysis perspective to the feminist movie theory, while the latter provides a methodological enlightenment to it. Both are the key concepts for reading feminist movies, and in the process from “the Other” to “deconstruction”, express movie theorists＇train of thought in seeking female consciousness, that is, the process from image exposure to the cultural subversion.
出处
《徐州师范大学学报（哲学社会科学版）》
2006年第1期54-57,共4页
Journal of Xuzhou Normal University(Philosophy and Social Sciences Edition)
关键词
他者
解构
女性主义电影理论
关键词
the Other
deconstruction
feminism theory on movie
keywords
