期刊文献+

草原的色彩诗学——胡日查油画中的蒙古族色彩语言研究

The Poetics of Color in the Grasslands——A Study of Mongolian Color Language in Hu Richa's Oil Paintings
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摘要 艺术作品中的色彩语言是一种通过视觉传达情感的重要表现方式。它借助色彩的对比与和谐,为观者提供丰富的感官刺激,并引导其感受创作者内在的艺术精神内核。本文通过分析胡日查油画作品中的色彩语言,探讨其中所表现的少数民族游牧生活与草原文化,进而理解其艺术风格的独特之处。通过对蒙古族油画绘画语言风格的分析,能够让更多热爱艺术的人了解这一具有鲜明特色的艺术形式。独特的草原地域环境塑造了蒙古族画家深厚的文化底蕴、鲜明的民族性格以及独特的审美特征。 In artworks,the language of color is a crucial means by which emotions are conveyed through visual expression.By employing the contrast and harmony of colors,viewers are offered with rich sensory stimulation,and they are guided to perceive the inner artistic spirit of the creator.In this article,the color language in Hu Richa's oil paintings is analyzed,and the nomadic life of ethnic minorities and grassland culture,as represented in his works,are explored,thereby allowing for an understanding of the unique characteristics of his artistic style.Through the analysis of the Mongolian style of oil painting language,more art enthusiasts can be led to an understanding of this distinctive art form.The unique grassland environment has shaped Mongolian painters with profound cultural heritage,distinct national character,and unique aesthetic features.
作者 毕力格 Bi Lige(Ulanqab Secondary Vocational and Technical School)
出处 《色彩》 2025年第9期103-105,共3页 Color
关键词 胡日查 蒙古族油画 色彩语言 草原文化 民族艺术 Hu Richa Mongolian Oil Painting Color Language Grassland Culture Ethnic Art
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