摘要
2024年,资深媒体人高渊继《生死守护》后,推出第二部长篇《诺曼底公寓》,以沪上地标武康大楼为经纬,钩沉1930至1940年代上海法租界的现代性寓言。小说将公寓作为现代性居住范式的物质象征,映射资本主义生产的空间逻辑,借由儿童看门人视角,巧妙地将“间离”美学糅入叙事,震荡起殖民现代性、阶级区隔与历史暴力之间的复杂关联。高渊以“爱”为经纬,缝缀文化裂隙,织就战时共同体的共生逻辑,更以波西米亚笔触剥去布尔乔亚的秩序外壳,展露了租界“英雄”们身为“无根者”的怅惘。在此,上海精神的流动镜像获得摹画:在殖民现代性与民族叙事的裂隙间,孕育着小资文化的双重脉动,既承摩登碎影,亦纳乱世悲欢。
In 2024,Gao Yuan,a senior media type,following his book“Guarding Life and Death”,released his second full-length novel,Normandie Apartments,which takes the landmark of Shanghai,Wukang Building,as its geographical background and tells a modern allegory of the French Concession in Shanghai from the 1930s to the 1940s.The novel regards the apartment as a material symbol of the modern living paradigm,reflecting the spatial logic of capitalist production.Through the eyes of children and gatekeepers,it ingeniously employs the aesthetics of“alienation”inthe narration of the complex connections among colonial modernity,class division and historical violence.Gao Yuan presents the symbiotic nature of the wartime community with the storyline of“love”,and also the Bohemian spirit of Shanghai beneath the bourgeois shell,expressing the melancholy of the“heroes”in the concessions as“rootless”.The flowing mirror image of the Shanghai spirit has been depicted in the rift between colonial modernity and national narrative.
出处
《上海文化》
2025年第8期47-56,共10页
Shanghai Culture
