摘要
在对晚唐诗进行批评的过程中,宋人逐渐形成了一种重要模式,即以杜甫的诗和盛唐诗为主要参照系来审视晚唐诗。一方面,参照系的建立经历了从李白、杜甫(特别是杜甫)的诗到盛唐诗的演变过程;另一方面,晚唐诗与作为参照系的李杜诗及盛唐诗之间的关系,既以对举为主,同时又有所勾联。就勾联而言,宋人既连类而论从杜诗到晚唐诗所产生的诗病,又肯定晚唐诗并以杜诗和盛唐诗为诗学进阶。宋人由此建立了以盛唐诗为法、以杜诗为尊和“尊盛黜晚”的晚唐诗学批评模式,并对后世的晚唐诗批评产生了重要而深远的影响。
In criticizing the Late Tang poetry,the critics in the Song Dynasty gradually formed an important model:examining the poetry of the Late Tang with that of Du Fu and the High Tang as the main reference points.On the one hand,the establishment of the reference points evolved from the poetry of Li Bai and Du Fu,especially from the poetry of Du Fu to the High Tang.On the other hand,the relationship between the Late Tang poetry and these reference points was mainly contrasting,and also involved connection.Regarding connection,the critics in the Song Dynasty discussed the poetic flaws that arose from the poetry of Du Fu to the Late Tang and affirmed the Late Tang poetry,using the poetry of Du Fu and the High Tang as a basis for the poetic advancement.Thus,the critics in the Song Dynasty established a model for criticizing the Late Tang poetry that centered on the poetry of the High Tang as the standard,Du Fu as the supreme authority,and the principle of“venerating the the poetry of the High Tang and rejecting that of the late Tang.”This model exerted a profound influence on subsequent criticism of the Late Tang poetry.
出处
《山东社会科学》
北大核心
2025年第7期108-117,共10页
Shandong Social Sciences
基金
浙江省杭州市哲学社会科学规划课题“宋代‘晚唐’诗学概念研究”(项目编号:Z22JC070)的阶段性成果。
关键词
宋代
李杜
晚唐
对举
勾联
the Song Dynasty
Li Bai and Du Fu
the Late Tang poetry
contrast
connection
