摘要
三才体方志,指以天、地、人三才为纲的特殊体例方志,与三宝体方志不同。宋元时期,方志中出现将三才思想应用于框架设计的情况,但尚属局部应用。明嘉靖之后,三才体方志蓬勃发展,但并未成为主流方志体例。入清之后,留存的三才体方志比例进一步降低,表明三才体方志的衰落。尽管如此,明清时期还有许多非三才体方志在体例设计中借鉴三才思想,体现出文本秩序与天人宇宙观的对应。通过三才思想与经史的结合,部分作者试图将方志接驳到儒家主流学术体系之中,并将地方小世界纳入到儒家价值观编织的文本秩序中,以此映射对现实秩序的追求,体现出方志的载道功能。三才思想等文化资源的进入,也成为观察宋代以来方志定型与发展历程的窗口。
Sancai style local records refer to local records with a special style taking heaven,earth,and men as major categories that is different from sanbao style local records.During Song and Yuan Dynasty,there were cases that applied thoughts of sancai in framework design of local records,but these were still partial applications.After the Reign of Jiajing of Ming Dynasty,the development of sancai style local records boomed,but did not become mainstream style of local records.Since Qing Dynasty,the percentage of sancai style local records went down further,showing the decline of sancai style local records.However,there were still many non-sancai style local records that borrowed the thoughts of sancai in their style design,demonstrating the correspondence of textual order and heaven and men cosmological outlook.Through combination of sancai thoughts and classis and history,some authors tried to connect local records with mainstream Confucian academic system,and to bring the local microcosm into textual order weaved by Confucian values,in order to reflect their pursuit of order in reality,and demonstrate the function of local records in conveying the truth.The entrance of cultural resources such as sancai thoughts also became a window for observation on the patterning and development of local records since Song Dynasty.
出处
《中国地方志》
2025年第4期35-49,M0004,共16页
China Local Records
