摘要
文章以非物质文化遗产阜阳剪纸为研究对象,通过对其艺术表现形式的探究揭示了它审美意识形成的思维与文化动因。研究发现,阜阳剪纸在题材选择与艺术表现上既承袭了上古“万物有灵”观念,又融入了注重生命延续的集体意识,这一审美特质的形成根植于淮河流域源远流长的农耕文明以及儒道文化。阜阳剪纸集娱乐功能、伦理教化功能以及装饰价值为一体,同时积极寻求与现代工艺的融合,展现了非物质文化遗产活态化传承的范式。
This paper takes the intangible cultural heritage of Fuyang paper-cutting as the research object,and reveals the thinking and cultural motivation of its aesthetic consciousness formation through the exploration of its artistic expression.It is found that Fuyang paper-cutting not only inherits the ancient concept of“animism”in the choice of subject matter and artistic expression,but also integrates the collective consciousness of paying attention to the continuation of life,and the formation of this aesthetic characteristic is rooted in the long-standing agricultural civilization and Confucianism and Taoism culture in the Huaihe River Basin.Fuyang paper-cutting integrates entertainment functions,ethical education functions and decorative values,and actively seeks the integration with modern craftsmanship,showing the paradigm of living inheritance of intangible cultural heritage.
作者
曹祝兵
冯菲菲
CAO Zhubing;FENG Feifei
出处
《淮南师范学院学报》
2025年第4期66-73,共8页
Journal of Huainan Normal University
基金
阜阳师范大学省级科研平台提升计划项目“新时代淮河文化的传承与创新研究”(PT2021001)
安徽省高等学校科学研究重点项目“文化视阈下皖北方言俗语、谚语、歇后语德育功能与德育路径研究”(2022AH051282)。
关键词
阜阳剪纸
艺术属性
审美渊源
审美功能
Fuyang paper-cutting
artistic attributes
aesthetic origins
aesthetic functions
