摘要
石涛“个性化”语言的成立得益于其“无法而法”的审美创作理念。在中国古典山水画史中,石涛是运用“个性化”语言最为典型的代表,其语言中蕴含着积极的自然审美态度;他的自律性笔墨拓展了传统山水画的技法边界;他在语言实践过程中重构了实践主体的权利。“个性化”语言在当代山水画创作中具有可观的审美功能,其可以防止当代山水画语言的程式化趋向;同时可以有效促进语言形式对自然语境的观照;亦能赋予当代山水画语言和创作主体更多的自由审美权利。
The establishment of Shi Tao’s“personalized”language benefits from his aesthetic creation concept of“having no fixed rules but creating his own rules”.In the history of Chinese classical landscape painting,Shi Tao is the most typical representative who applied the“personalized”language whose masterpieces often contain the positive natural aesthetic attitude;his self-disciplined brushwork expands the technical boundaries of traditional landscape painting by reconstructing the rights of the subject in the process of language practice.“Personalized”language has considerable aesthetic function in contemporary landscape painting creation,which can prevent the stylistic trend of contemporary landscape painting language;meanwhile,it can effectively promote the language form to observe the natural context,which also endow free aesthetic rights to the language and subject of contemporary landscape paint⁃ing.
出处
《浙江艺术职业学院学报》
2025年第2期100-107,共8页
Journal of Zhejiang Vocational Academy of Art
基金
河南省高校人文社会科学研究一般项目“生态批评视域下的中原山水画生态语言建构研究”(项目编号:2025-ZZJH-361)
郑州大学教育教学改革研究与实践项目“生态艺术学建构背景下的中国画实践课程教学创新模式研究”(项目编号:2024ZZUJGXM160)阶段性成果。
关键词
石涛
“个性化”语言
自然审美
审美功能
Shi Tao
“personalized”language
natural aesthetics
aesthetic function
