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河北梆子表演艺术的性别角色变迁

The Gender Role Changes in the Performance Art of Hebei Bangzi
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摘要 河北梆子作为华北地区重要的戏曲形式,其表演艺术中的性别角色经历了复杂的历史演变。本文通过梳理河北梆子的历史文献、剧本记录及表演实践,探讨其性别角色的变迁过程,分析社会文化、政治运动及现代审美对其产生的影响。研究发现,河北梆子早期以男性演员为主导,女性角色多由男性反串,并有明令规定禁止女性角色登台演出;20世纪尤其是辛亥革命以后西方进步思想传入中国,一批有识之士受到启发,女性演员也逐渐进入舞台,性别表演模式随之改变;随着时代的改变,当今河北梆子则在性别表达上更加多元化,但仍面临传统与革新的张力。 As an important form of opera in North China,Hebei Bangzi has undergone a complex historical evolution in its gender roles in performance art.This paper explores the process of gender role changes in Hebei Bangzi by reviewing historical documents,script records,and performance practices.It also analyzes the influences of social culture,political movements,and modern aesthetics on these changes.The research finds that in the early days of Hebei Bangzi,male actors dominated,and female roles were often played by men.There were even orders prohibiting female actors from performing on stage.After the Xinhai Revolution in the 20th century,with the introduction of Western progressive ideas into China,a group of enlightened individuals were inspired,and female actors gradually entered the stage,leading to a change in the gender performance model.With the passage of time,today's Hebei Bangzi has become more diverse in gender expression,but it still faces the tension between tradition and innovation.
作者 张芷歆 ZHANG Zhixin(College of Art,Zhejiang Normal University,Jinhua 32100,China)
出处 《中国文学与艺术》 2025年第2期25-28,共4页
关键词 河北梆子 性别角色 表演艺术 戏曲变迁 文化传承 Hebei bangzi gender roles performance art opera changes cultural inheritance
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