摘要
引入历史人类学方法论,对南音的历史发展过程从乐籍制度存续期和解体后的状况进行动态辨析,从中国传统音乐文化社会发展和音声技艺形式之本体存在相互作用的意义上进行宏观把握,对当下以泉州为中心、认定为南音的音乐活态与历史文化传统接通、从功能性为用进行认知,辨析一些根本性的学术理念对南音研究的意义,将南音内涵中某些现象与它地之相关存在以为比较,有助于将南音的研究引向深入。
In the perspective of Historical Anthropology, the paper offers a dynamic study on the historical state of existence of Nanyin during the period of and the period after the disappearance of Yue -ji - zhi - du （乐籍制度 the system of registered musician households）. The paper focuses on the relationship between the development in historical culture and the prevailing musical techniques. The paper primarily studies the forms of Nanyin as prac- ticed in present day Quanzhou city, and explores the academic notion of Nanyin in terms of its musical functional- ity. Through a comparative study, the paper discusses Nanyin with other music genres, and tries to enhance the quality of further studies in Nanyin.
出处
《星海音乐学院学报》
2015年第2期12-20,共9页
Journal of Xinghai Conservatory of Music
关键词
历史人类学方法论
乐籍制度理念
节点
南音动态演化
内涵
宏观把握
the perspective of Historical Anthropology
Yue-ji-zhi- du （乐籍制度, the system of registeredmusician households）
Key point
Dynamic development of Nanyin
Connotation
Macro view
