摘要
科技创新能够转化为现实生产力,并催生新产业、新模式、新动能,是新质生产力的核心要素。培育新质生产力需要科技与文化的共同驱动,文化科技融合又是文化业态变迁的核心动力。在不同历史时期,文化业态变迁呈现出主体转换、周期变迁、类型变化和路径变迁等不同表征。文化与科技相互作用,促进了文化业态的迭代和共生。在文化科技融合的创新系统下,创意、资源、生产、消费和场景有机结合而形成的创新群落,能够赋能文化资源开发转化、文化生产变革、文化表现形式创新、文化消费需求升级和产业融合,从而形成不同的文化业态变迁路径。以创新为核心的新质生产力,通过原创性、颠覆性科技创新的赋能,对文化业态造成重大影响。从历史角度研究文化业态变迁,对研究新质生产力的形成和转化机制具有重要意义。
The innovation of cultural industries originates from technological advancements across eras.The transformation of scientific and technological innovations into tangible productive forces,along with the creation of new industries,development models,and driving forces,constitutes the core elements of new quality productivity.Cultivating new quality productivity necessitates the synergistic driving force of science,technology,and culture.The integration of culture and technology serves as the fundamental driving force for the transformation of cultural industries.Across historical phases,transformations in cultural industries manifest through four dimensions:shifts in innovation actors,cyclical transformation,type transformation,and path transformation.From the later stage of primitive society to the agricultural era,scientific and technological innovations had a groundbreaking impact on cultural industries.The gradual separation of material and intellectual labor enabled specialized cultural producers to emerge from agrarian communities,establishing the foundational framework for cultural industries.In the industrial era,technological innovations revolutionized cultural ecosystems,merging production processes with industrial systems to reshape methodologies,organizational structures,and consumer markets,thereby displacing traditional models.In the post-industrial era,the impact of scientific and technological innovation on the transformation of cultural industries evolves into an integrated and ecological form.Information and digital technologies have become the core driving forces.Cultural industries progressively dismantled industry barriers,forming a cultural ecological innovation system.New cultural industries are emerging,characterized by digitization,networking,and intelligence.The interaction between culture and technology promotes the iteration and symbiosis of cultural industries.The identity of innovative actors has dynamically evolved alongside technological progress and production relations.From artisans in agrarian communities to industrial capitalists and to post-industrial digital platform conglomerates,these actors reflect increasing diversification.The transformation process adheres to life cyclical patterns—germination,growth,maturation,and decline—with historical surges in cultural innovation consistently preceded by waves of technological breakthroughs and ideological emancipation.Typologically,shifts are categorized into paradigmatic transformations(radical overhauls driven by disruptive technologies,marked by emerging formats replacing obsolete ones)and adaptive optimizations(incremental improvements enabling coexistence between traditional and new formats).The development of new quality productive forces in cultural sectors has progressed from linear,unidirectional models to complex,integrated systems.Studying the transformations of cultural industries from a historical perspective is of great significance for researching the formation and transformation mechanism of new quality productive forces.Based on the integration of culture and technology,advanced cultural productivity overcomes critical links in industrial innovation,forming an innovative community through the organic combination of creativity,resources,production,consumption,and scenarios.This empowers the transformation of cultural resources,the reform of cultural production,the innovation of cultural forms,the innovation of cultural consumption,and the diversified integration of industries,thereby achieving the continuous innovation and development of cultural industries.
作者
杨昆
李向民
Yang Kun;Li Xiangmin(School of Marketing and Logistic Management,Nanjing University of Finance and Economics,Nanjing 210000,P.R.China;Nanjing University of Arts,Nanjing 210000,P.R.China)
出处
《山东大学学报(哲学社会科学版)》
北大核心
2025年第4期36-46,共11页
Journal of Shandong University(Philosophy and Social Sciences)
基金
国家社科基金艺术学项目“数字文化产业业态变迁与政策优化研究——以用户生成内容UGC为例”(23BH163)
江苏省社科基金艺术学项目“新时代江苏文化业态创新机制与路径研究”(21YSC010)。
关键词
文化科技融合
新质生产力
文化业态
文化资源
科技创新
Cultural and technological integration
New quality productive forces
Cultural industry format
Cultural resources
Technological innovation
