摘要
“尚象”是经典的中国传统设计语言,也是一种行之有效的设计思维方式。自古迄今,陶瓷饮食器中蕴含着丰富的尚象设计实践。文章以探讨陶瓷饮食器造型中尚象设计的诉求与动机为研究基点,通过对近十年来国宴用瓷尚象设计经典案例的横向比较与综合分析,可见国宴用瓷造型中的尚象特征尤为丰富且显著,并且其尚象设计在主题文化、地域文化和传统文化三个方面有着区别于其他普通陶瓷饮食器的特殊定位。并一步从践行逻辑、取象类别、意象隐喻与表征三个维度展开论证,对国宴用瓷造型中尚象设计的实践范式予以总结。
“Shang Xiang”is not only a traditional Chinese classic design language but also an effective approach to design thinking.Since ancient times,ceramic food utensils have extensively incorporated Shang Xiang design.By exploring the appeal and motivation of Shang Xiang design in ceramic tableware,this study conducts a horizontal comparison and comprehensive analysis of classic Shang Xiang design cases in the state banquet porcelain over the past decade,revealing that Shang Xiang features in state banquet porcelain are particularly prominent.Its Shang Xiang Design holds a distinct position compared to ordinary ceramic food utensils,manifested in three cultural dimensions:thematic,regional,and traditional.The paper further analyzes three aspects-practice logic,image categorization,and metaphorical representation-to summarize the practice paradigm of Shang Xiang Design in state banquet porcelain.
作者
蔡伟
唐宇婷
王爱红
CAI Wei;TANG Yuting;WANG Aihong(Jingdezhen Ceramic University,Jingdezhen 333403,China;Nanyang Normal University,Nanyang 473061,China)
出处
《中国陶瓷》
北大核心
2025年第6期93-99,共7页
China Ceramics
基金
国家社科基金艺术学项目(23BG129)。
关键词
尚象设计
陶瓷饮食器
国宴用瓷
造型设计
Shang Xiang Design
Ceramic tableware
State banquet porcelain
Style design
