摘要
本文旨在分析明清时期紫砂壶花塑器(以下简称为花塑器)的造型特征。通过运用文献、考古两重证据法与分型图谱法,依据茶事行为与茶具的发展脉络对花塑器进行历史溯源,选取明清时期120把花塑器建立三型十三式的造型图谱,梳理明清时期名家名壶对花塑器进行演变概述,进而按照时间演进顺序归纳各型花塑器的演变规律。由明代中晚期发展至清代的花塑器,其造型取象由植物型发端、后由以器物型为主转向以植物型为主,设计风格由具体繁复的写实转向概括凝练的写意,呈现出渐进式、意象化的演变特征,对于紫砂设计的守正创新具有重要的借鉴意义。
This study aims to analyze the modeling characteristics of the bionic purple clay teapot(hereinafter referred to as teapot)from the Ming to the Qing Dynasty.Through the dual evidence of literature and archaeological studies,and classification graphic method,it traces the historical origins based on the development of tea behaviors and tea wares by selecting 120 cases from the Ming to the Qing Dynasty and builds a shape graph of three types and thirteen styles.It also summarizes the evolution of famous teapots created by renowned persons in the Ming and Qing dynasties,and the developmental patterns of each type are outlined in chronological order.From the mid-and-late Ming to the Qing dynasty,the teapot’s modeling features evolve from predominant plant-inspired forms to subsequent object-based forms and plant-based forms.Its design style gradually changes from concrete and complicated realism to general and concise expressionism,which exhibits a progressive image transformation,providing important references for the inheritance and innovation of purple clay design.
作者
王祯
王强
WANG Zhen;WANG Qiang(School of Design,Jiangnan University,Wuxi,Jiangsu,214122,China)
出处
《家具与室内装饰》
北大核心
2025年第5期113-121,共9页
Furniture & Interior Design
基金
国家社会科学基金艺术学重点项目(19AG007)
山东省社会科学规划研究项目(23CWYJ31)。
关键词
紫砂壶花塑器
明清时期
两重证据
分型图谱
Bionic purple clay teapot
The Ming to Qing Dynasties
Dual evidence method
Classification graphic method
