摘要
探讨翻译技巧在文学翻译中的应用,以实现“信、达、雅”的翻译标准,确保原文风格的忠实传递,构成了文学翻译研究的重要议题。在《挪威的森林》藏译本中,译者在处理专有名词,如人名和地名时,主要采用了日语音译法。鉴于该作品是由汉文译为藏文的日本文学作品,译者为了尽可能地保留原作的异域特色,对其他地域名词采取了“名从主人”的原则,保留了其原始发音,这成为该译本的一个显著特征。此外,在归化直译与异化意译这两种翻译策略的选择上,译者倾向于采用归化直译,以最大程度地还原原文内容。同时,在处理谚语和修辞的翻译时,译者适当采用了异化意译,运用了读者易于接受的语言来再现原作内容,使得译文既通俗易懂,又不失其文学价值。
To achieve the translation standards of"faithfulness,expressiveness and elegance"and ensure the faithful transmission of the original text style,through discussing about the application of interpretation techniques in literary translation,has constituted an important issue in literary translation studies.In the translation of《Norwegian Woods》,thetranslator mainly adoptstheJapanesetransliteration method when dealing with proper nouns,such as personal names and geographic names.In view of the fact that the work is a Japanese literary work translated from Chinese to Tibetan,the translator uses the principle of"name after the originating person"for other regional nouns in order to preserve the exotic characteristics of the original as much as possible,and retains their original pronunciation,which becomes a prominent feature of the translation.In addition,in the choice of domesticated literal translation and foreignized free translation,translators tend to use former one to restore the original content to the greatest extent.At the same time,when dealing with the translation of proverbs and rhetoric,the translator appropriately adopts foreignized free translation,and uses the language easily accepted by the readers to reproduce the original content,so that the translation is easy to be understood without losing its literary value.
作者
次仁卓嘎
Tshe-ring-sgrol-dkar
关键词
《挪威的森林》
文学翻译
翻译方法
特点
Norwegian Woods
Literary Translation
Translation Method
Peculiarity
