摘要
宗教書寫在彈詞小説《再生緣》中屢次出現,集中于前七卷,明寫與暗寫兼而有之,儒釋道均有所體現,這也是對清中期神魔小説潮流和宗教世俗化的反映。作者以儒家思想爲創作主旨,發揚正統載道的文學觀,體現了爲彈詞正典化所做的努力。而女性與宗教的緊密聯繫,使得宗教成爲“閨門—外界”空間轉换的紐帶。佛道兩教既隱喻主角們實現理想的途徑,也象徵着傳統觀念與秩序,反映出身爲女性的作者複雜的創作意圖。“轉世”“謫世”的雙層結構與托夢指示情節共同構成宗教書寫的叙事策略,作爲綫索推進情節并塑造人物形象。同時,宗教書寫于《再生緣》不可或缺,却也一定程度上制約了作品的發展。
Religious writing appears repeatedly in the Tanci novel Zaishengyuan,focusing on the first seven volumes,both written explicitly and in secret,which are embodied in Confucianism,Buddhism and Taoism,this is also a reflection of the trend of gods and demons novels and the secularization of religion in the middle of Qing dynasty.The author takes the Confucianism as the creative theme,carries forward the Orthodox literature view,and embodies the efforts made for the standardization of Tanci.The close connection between women and religion makes religion become the link of the space transformation between boudoir and outside world.Buddhism and Taoism not only symbolize the way the protagonists realize their ideals,but also symbolize the traditional ideas and order,reflecting the complex creative intention of the female writers.The double-layer structure of“Reincarnation”and“Relegation”together with the plot of dream instruction constitute the narrative strategy of religious writing.At the same time,the writing of Zaishengyuan is indispensable,but it also restricts the development of the works to some extent.
作者
樊慶彦
張陳博
Fan Qingyan;Zhang Chenbo
出处
《中国俗文化研究》
2023年第1期60-70,共11页
Studies on Folk Literature
关键词
《再生緣》
宗教書寫
女性文學
Zaishengyuan
religious writing
women's literature
